Reviews
La Fanciulla del West- Croation National Theatre, March 2024
“The soprano Gabrielle Mouhlen, in the role of Minnie, has given life to a strong, courageous, faithful and loving female character, a woman admired by all, but determined to give herself only to those who truly love her. A real heroine. Gabrielle Mouhlen was convincing in her role. The singer boasts a beautiful stage presence and possesses a voluminous voice characterized by a dark timbre that gives her a dramatic quality” (Helena Labus Bacic- Lavoce.hr).
Macbeth- Ente de Carolis Sassari, September 2023
“Her vocal characteristics such as power, solidity, agility, are enhanced by the role of Lady Macbeth to which she gives psychological depth through a confident use of pianissimo, a perfect descent into the low register, always perfectly intonated and musical centers and without sparing lashes of ‘steel in the high notes. ” (Loredana Atzei-I Teatri dell’ Est)
Cavalleria Rusticana- Ente de Carolis Sassari, July 2023
“Gabrielle Mouhlen’s Santuzza stands out for its power and temperament, a soprano with a powerful and incisive voice. It powerfully expresses the anguish of the dishonored woman. She is subtly malicious in referring to Lola, she shows tenderness in trying to bring Turiddu back to her in a last desperate attempt and angrily invokes a harmonious “Mala Pasqua”, no more vulgar than concluding with a “Pergiuro!” of great effect.” (Loredana Atzei- The Theaters of the East)
“Another celebrated name in the cast is Gabrielle Mouhlen, a Santuzza of great vocal and acting temperament with warm and vibrant performances, who received a genuine ovation from the audience in her final greetings.” (S&H Magazine).
Macbeth- Teatro Verdi di Trieste, January 2023
“Gabrielle Mouhlen, making her confident debut in the role, offers a Lady of vocal security, with a voice of ferrous colors, solid high notes, a good palette of nuances. The Dutch soprano opts for the path of great tradition (..) but the character that emerges is solid and is definitely appreciated by the audience who is more tied to custom”. (Gianluca Macovez-GB Opera).
Don Carlo- Aalto Musiktheater Essen, March 2022
“Gabrielle Mouhlen convincingly captures the melancholy of the queen with her very dark soprano and scores vocally and dramatically in the scene with Carlo in the garden in the first act as well as in her big aria in the last act.” (Thomas Molke,Opernglass) “
Nabucco, Riccardo Muti – Fondazione Prada Milano, December 2021
“Another revelation was Dutch soprano Gabriëlle Mouhlen, who established herself as the true Abigaille heir to the great singers who have played this proverbially difficult role in the past.” (Luca Chierici, Il Corriere Musicale )